一名坐过牢的男子适应著现代生活，过程中逐渐与他的高中老师情感益加紧密。 　　An ex-con struggling to readjust to life in his small town forms an intense bond with his former high school teacher.

一名坐过牢的男子适应著现代生活，过程中逐渐与他的高中老师情感益加紧密。 　　An ex-con struggling to readjust to life in his small town forms an intense bond with his former high school teacher.

影片讲述理想主义的汤老师在流沙堆积的小岛上经营有机农场，多年运营农场使他面临困境和失败。小余追随汤老师扎根有机农场，在山中隐居的母亲下山到农场小住，等待女儿小余在冬至那天和她一起回老家。母亲的目光让女儿意识到生命中无法回避的创伤。此时农场正在经历运营方式转型一场暴风改变了每个人。通过对土地的凝视与深思，影片探讨着人与土地的密切关系。

理想主义的汤老师在流沙堆积的小岛上经营有机农场，多年运营农场使他面临困境和失败。小余追随汤老师扎根有机农场，在山中隐居的母亲下山到农场小住，等待女儿小余在冬至那天和她一起回老家。母亲的目光让女儿意识到生命中无法回避的创伤。此时农场正在经历运营方式转型，一场暴风改变了每个人。

Cannes Film Festival 　　Year Result Award Category/Recipient(s) 　　1963 Won Best Screenplay 　　Dumitru Carabat 　　Henri Colpi 　　Yves Jamiaque 　　Nominated Golden Palm 　　Henri Colpi 　　An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Bucharest. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He returns home to his miserly mother, whose penny-pinching ways infuriate her son. A young boy looks up to Codine, and through the man's eyes he sees the economic and social injustices from an adult perspective. When Codine kills another man who violated his trust, his mother becomes more unhinged and paranoid. Thinking her son will steal her hoarded money, she plots to kill her only son. The impressionable child watches in horror and amazement at the cruel machinations of the adult work that surrounds him.

圣诞节后，破裂的家庭关系迫使内莉越来越沉溺于自己的想像世 界。成人之间那个充满冲突而不可理解的宇宙开始逐渐侵入小内莉 的梦幻仙境。 　　After Christmas holidays, ruffled family relations push Nellie deeper and deeper into her own imaginary world. The incompre- hensible universe of adult conflicts starts to merge with little Nellie’s wonderland.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. 　　Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. 'Extramuros' is edgy all right: a plot or scheme agreed upon between two lovers to escape their plight, but with a twist. The scheme is similar to some we've recently seen power couples of politicians, religious leader and the like, play out on the world in the last decade. But the twist this film throws in - literal and actual self-flagellation is original. 　　It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns).

SYNOPSIS 　　Mrs. Yun makes a welcome trip outside her home and runs into an old friend, Young-hye. Through her, Yun meets Han Sang-ho who is a young businessman burning with ambition. A rival company of Sang-ho, Dong-il Company appears. They compete for the subway construction bidding. Managing director Heo of Dong-il, who is Yun's husband, plans to use his beautiful wife to entrap his competitors. The rivalry between Sang-ho and managing director Heo begins. Heo throws aside his wife and concentrates only on business. He begins to have doubts about his actions and goes looking for his wife. On the other hand, Sang-ho is completely crazy about Yun. Out of jealousy, his mistress stabs Sang-ho with a knife and then kills herself. 　　故事 　　云女士走了出来，在街上遇到了张嫦娥，介绍了韩相昊。韩相昊是一位年轻的商人，相继燃烧，雄心勃勃。作为韩生浩竞争对手的桑雄试图中标地铁建设。Yoon的丈夫Hyeon - moo计划用她美丽的妻子建立一个竞争对手，而韩生和Hyeon - 已经抛弃了自己的妻子，专心做生意的贤谟感到很想见她，想再次找到她。与此同时，对云的疯狂的尹相镐用刀猛击自杀，自杀身亡。

又名《The Great Museum》、《殿堂内望》，奥地利ORF Film和Navigator Film联合制作。该片记录了维也纳艺术史博物馆(Kunsthistorisches Museum Wien)休整期间各个部门的工作样态。看似支离破碎的叙事线条随着片子的推进，都有所回应和交汇，使得这部无旁白，无采访的纪录片最终能保持较好的完整性。 　　实质上，本片的最大价值在于，用类似于人类学田野调查的视角，进入到博物馆运转的各个方面，最真实的还原博物馆工作的面貌。镜头潜伏于参观者还未到来的艺术史博物馆内，有趣记录着清洁工擦拭古希腊雕塑的下体、工程队在金碧辉煌殿堂内大刀阔斧的开凿、策展人喋喋不休讲述的新想法、馆长与员工商讨如何用好财政拨款、修复工作者在显微镜下一丝不苟的忙碌于鲁本斯画作。 　　极其安静而震撼的赞美着一切参与博物馆运营的普通人。奥地利美术馆和英国气质太不一样了，几乎没有关于参观公众交流的段落，整一场帝王风范、无视外界的采购、整修、预算、重建，一次艺术展览活动的策划过程，不亚于一件艺术品的创作过程。在平和静谧的长镜头中，我们看到了奥地利人专业细致的精神，偶然间绽放出的幽默，也让疲惫的观影者发出会心一笑。